Phil Rees products were an absolute godsend in the 90s when most hobby and budget studios were still mainly all hardware being recorded to tape of some description. You would often find multiple little red and black boxes doing various conversion and routing jobs. And they all powered straight off the mains without a big heavy internal linear supply, or external wall wart, which was a great help during late nights where the right PSU may have gone walkies.
Were you using a MIDI to SMPTE converter of some kind? The MPC 1000 only has MIDI I/O, no SMPTE tape sync. And the stock firmware only offered regular MIDI clock, not even MTC[1], though it is possible to get MTC in and out of an MPC 1000 using the unofficial JJOS OS[2].
Phil Rees products were an absolute godsend in the 90s when most hobby and budget studios were still mainly all hardware being recorded to tape of some description. You would often find multiple little red and black boxes doing various conversion and routing jobs. And they all powered straight off the mains without a big heavy internal linear supply, or external wall wart, which was a great help during late nights where the right PSU may have gone walkies.
I built this, anyone interested? It was a wild ride
https://amiga.resource.cx/exp/phantom
We once had an AKAI MPC1000 running as a master for a "big studio" ProTools rig using LTC. Good times.
Were you using a MIDI to SMPTE converter of some kind? The MPC 1000 only has MIDI I/O, no SMPTE tape sync. And the stock firmware only offered regular MIDI clock, not even MTC[1], though it is possible to get MTC in and out of an MPC 1000 using the unofficial JJOS OS[2].
[1] https://en.wikipedia.org/wiki/MIDI_timecode
[2] http://www7a.biglobe.ne.jp/~mpc1000/
Shout out to Chataigne, which supports SMPTE timecode via a 3.5mm jack for personal projects.