It's possible to save RAW files (mostly) unprocessed with iPhones, either via built-in functionality (Pros) or via apps like Halide.
But the aggressiveness of the de-noising in the native JPG/HEIF images otherwise is really unfortunate if you want to look at the images on a screen larger than the phone's screen. The amount of detail lost (other than in areas like people's faces where the phone knows to specialise) can be very considerable.
I'd really like a way to dial that aggressiveness down a fair bit, even at the cost of more noise/grain and larger file size (through less compression due to the extra noise).
Another thing is the amount of lens flare you can get when shooting at the sun for sunsets/rises, etc or other large bright light sources.
With very small lens elements, from a physics perspective it's understandable that suppressing the reflections and inter-reflections is very difficult on such a small surface area (even with special coatings to reduce the fresnel reflection ratios), but if you care about image quality and wanting to look at images on screen larger than the phone which took them, larger format cameras still have some benefit despite their larger and heavier size and therefore inconvenience (looks at 5D Mk IV on shelf).
Lens for image quality and sensor size and density for resolution, but we hit pretty hard limits on those a long time ago. Software on top of that has been the major differentiator for quite some time. Exposure stacking and intelligent detail control produce more improvement for less investment than a super-complex lens assembly or exotic sensor. Though it brings its own risks.
Not to say there is no movement on the other fronts. Glass was pushing for a crazy anamorphic lens and far larger sensor that would have been a serious improvement, but I don't know if it went anywhere.
the main issue is when you blow the image up, the details in the highlights and shadows don't hold up, you need to study Chroma subsampling to understand this. Sensor size is still important, but they're getting closer
It's not the Chroma subsampling, it's the agressive de-noising removing the detail (noise is technically 'detail' you don't normally want).
410/411/422 is the least of the problems. If it was just that, it'd largely just be compression artifacts around red/blue things like you often see on streaming / TV new text banners at the bottom. i.e. things like Stop signs, etc...
It's possible to save RAW files (mostly) unprocessed with iPhones, either via built-in functionality (Pros) or via apps like Halide.
But the aggressiveness of the de-noising in the native JPG/HEIF images otherwise is really unfortunate if you want to look at the images on a screen larger than the phone's screen. The amount of detail lost (other than in areas like people's faces where the phone knows to specialise) can be very considerable.
I'd really like a way to dial that aggressiveness down a fair bit, even at the cost of more noise/grain and larger file size (through less compression due to the extra noise).
Another thing is the amount of lens flare you can get when shooting at the sun for sunsets/rises, etc or other large bright light sources. With very small lens elements, from a physics perspective it's understandable that suppressing the reflections and inter-reflections is very difficult on such a small surface area (even with special coatings to reduce the fresnel reflection ratios), but if you care about image quality and wanting to look at images on screen larger than the phone which took them, larger format cameras still have some benefit despite their larger and heavier size and therefore inconvenience (looks at 5D Mk IV on shelf).
Lens for image quality and sensor size and density for resolution, but we hit pretty hard limits on those a long time ago. Software on top of that has been the major differentiator for quite some time. Exposure stacking and intelligent detail control produce more improvement for less investment than a super-complex lens assembly or exotic sensor. Though it brings its own risks.
https://techcrunch.com/2018/10/22/the-future-of-photography-...
Not to say there is no movement on the other fronts. Glass was pushing for a crazy anamorphic lens and far larger sensor that would have been a serious improvement, but I don't know if it went anywhere.
https://techcrunch.com/2022/03/22/glass-rethinks-the-smartph...
the main issue is when you blow the image up, the details in the highlights and shadows don't hold up, you need to study Chroma subsampling to understand this. Sensor size is still important, but they're getting closer
It's not the Chroma subsampling, it's the agressive de-noising removing the detail (noise is technically 'detail' you don't normally want).
410/411/422 is the least of the problems. If it was just that, it'd largely just be compression artifacts around red/blue things like you often see on streaming / TV new text banners at the bottom. i.e. things like Stop signs, etc...